Winners of the 2011 Edge Sponsored AOC Beacon Award for Practical Teaching And Learning

Skills for Costume Construction for Screen & Stage.

Supported by senior management and the local university the design of the course was informed by extensive industry consultation with large and small opera, theatre, ballet and film and TV companies as well as costume production companies with wardrobe departments.

The programme emphasis is on the development of specialist practical skills of measuring, pattern cutting, fitting and alteration, industrial machining, screen printing, garment construction, surface embellishment and adaptation underpinned by knowledge of fabrics, visual awareness and professional and business skills.

The combination of carefully selected appropriate teaching and learning methods and environments contribute to students acquiring confidence and high level skills over an intensive two year period working alongside experts to deadlines and production standards.

A student commented: "It is a way of growing up. You are involved and learn so much about yourself and the industry."

A range of work settings is planned over the two years in partnership with industry experts for students to experience the exacting demands of costume construction. Placements offer students the  pportunity to experience all aspects of the costume industry. This provides real-life opportunities for students to be challenged to achieve high levels of skills with experts.

The college's collaboration with theatre Mappa Mundi provides an example of a sustainable partnership with a local theatre company over three years. In 2009 the collaboration was on She Stoops to Conquer with a review stating ".....there is no stinting on the look of it. Lloyd Llewellyn-Jones' costume design, created by first and second year students at Coleg Morgannwg is all lace and gorgeous crimson and purple satins".

In these productions students carried out fittings with performers enabling them to understand the needs of and communicate with the production team. The costumes satisfied the need to withstand touring and quick changes during performances.

Collectively, staff and students had the responsibility for budgeting and delivering the entire cast's costumes and accessories to deadline. This project relied on teamwork; students worked in pairs within their team in close liaison with the professional theatre company.

The flexibility for students to work in different environments is available, for example working on film sets; one such case is the recently filmed Iron Clad.

Students also work alongside experts in the Welsh National Opera shadowing professionals in the workroom making costumes on productions.

A link with the Royal Opera House Stores enables students to gain insight, practical skills and an understanding of the wardrobe side of costume care, and the organisation of the collection.

The strong partnerships which exist with employers with a degree of flexibility built into the curriculum enabling tutors to respond to opportunities that arise through industry contacts; thus providing a range of exciting and innovative learning environments.

For more information about the subject of this case study - contact Emma Highgate, Course Leader, T: 01443 663304 or Amanda Darlington, Curriculum Manager Creative Industries, T: 01443 663301

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